painted Femme accoudee in 1920  Related Paintings of Pierre Laprade :. | Nude | One of the Sculptures | Baldassare Castiglione (mk05) | begratelsen | varmestuga |
Related Artists:
Adolf Ulrik Wertmuller
(February 18, 1751 e October 5, 1811) was a Swedish painter whose notable works include Danaë receiving Jupiter in a Shower of Gold. Wertmeller was born in Stockholm and studied art at home before moving to Paris in 1772 to study under his cousin Alexander Roslin and French painter Joseph-Marie Vien. On July 30, 1784, Wertmeller was elected to the Royal Academy of Painting and Sculpture. Wertmeller was commissioned by Gustav III of Sweden for a portrait of Marie Antoinette, which is now in the Nationalmuseum at Stockholm. In 1787, he produced his masterpiece Danaë, a work which proved controversial as one of the earliest female nude paintings exhibited in America. Wertmeller first emigrated to the United States in May 1794 and continued his portrait work, most notably of General George Washington, but in 1796 was called back to Sweden, eventually returning to Philadelphia in 1800. Elizabeth B. Johnston, in her book Original Portraits of Washington (Boston, 1882), speaks of five portraits of Washington by Wertmeller, of which one, executed in 1797, was purchased by the U. S. government in 1878, and another is owned by the Historical Society of Pennsylvania. Wertmeller was married to Elizabeth Henderson, granddaughter of noted early American painter Gustavus Hesselius, on January 8, 1801, and two years later retired to a plantation in Claymont, Delaware, where he lived the final years of his life. He died near Marcus Hook, Pennsylvania, aged 60.
Mendham, Robert
English, active 1821-1858
Kuzma Petrov-Vodkin
Russian Painter, 1878-1939 Russian painter. He began his studies in the drawing and painting classes of F. Burov (1843-95) in Samara (1893-5), and he attended Baron Stieglitz's school in St Petersburg from 1895 to 1897. He studied under Abram Arkhipov, Nikolay Kasatkin and Valentin Serov at the Moscow School of Painting, Sculpture and Architecture from 1897 to 1905 and at Anton Azb?'s school in Munich (1901). After working in various private studios in Paris between 1905 and 1908, he travelled to Constantinople (now Istanbul), Greece and Italy in 1905 and to Algiers in 1906. On his return to Russia, he held an exhibition in the editorial offices of the magazine Apollon in St Petersburg (1909). From 1911 to 1924 he exhibited with the WORLD OF ART group and from 1925 to 1928 with the FOUR ARTS SOCIETY OF ARTISTS. From the early 1910s Petrov-Vodkin's work was influential in the artistic life of St Petersburg. He attempted to reconcile classical and modern trends. His style was formed under a wide range of influences, often seemingly incompatible: 19th-century Russian painters such as Aleksey Venetsianov,